I call it oranges on Soo Kim
Ed at I call it oranges saw a whole lot more into Soo Kim’s solo show at Sandroni Rey than I did:
I thought of the [Bob] Irwin piece when visiting Soo Kim’s new show at Sandroni Rey in Culver City — to be honest, I first thought about the Irwin at Kim’s show last year. In that show, Kim painted the walls in subtle shades of white, greys, soft browns in attempt to mimic, negotiate, and change the shadows and light that naturally play in the gallery through its two skylights. I thought at the time that the installation was quite beautiful and intuitive like that Irwin piece must have been, but at the time, I had the sense that Kim, unlike Irwin, works in a quasi-representational mode, that her variations on light and on “inside” and “outside” must be tied to symbol and metaphor, to pictures and the imagination, instead of a scientific experimentation with how one sees.

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